Associate Professor of Literature
Eugene Lang Building
Rose Réjouis writes about humor, cultural politics, literature and theory (anthropology, Jewish thought, psychoanalysis, class and race). She studies the narrative strategies of ethnic and social insider-outsiders, particularly as those narratives veer between history and romance, utopia and dystopia. As a literary critic, she immerses herself in the "deep play" between ideas and literary structures; and her translations (with Val Vinokur) offer insights into the fruitful tensions between idiomatic and idiosyncratic uses of language.
Good writers are good readers. As a teacher, Rose Réjouis encourages students to explore literary history broadly while committing themselves to close reading. Lately, she and her students have been extending their close readings into the realm of audio-visual storytelling and mixed media.
Prominent Critical Reviews:
• 2015 Homage to the Réjouis/Vinokur translation of Patrick Chamoiseau's Texaco, in The Guardian: "On How Fiction Can Make it New" by Garth Risk Hallberg (October 2015).
• 2009 New York Times review of Négritude, an experimental multi-media and multi-disciplinary exhibition at Exit Art (supported by the National Endowment for the Arts and the New York Council for the Humanities) which Rose Réjouis guest curated.
• 1998 New York Times review of Réjouis/Vinokur translation of Chamoiseau's Solibo Magnificent.
• 1998 New York Times Book Review of Réjouis/Vinokur translation of Chamoiseau's Solibo Magnificent.
• 1997 Cover of The New York Times Book Review review of Réjouis/Vinokur translation of Patrick Chamoiseau's Texaco.
• 1997 The New Yorker review by John Updike of Réjouis/Vinokur translation of Patrick Chamoiseau's Texacoby Rose Réjouis and Val Vinokur
Note: Institutional cvs often mask failures and other unflattering learning opportunities. If you are interested in what a CV OF FAILURES might look like, please take a look at the one by Princeton professor, Johannes Haushofer. His CV was a project inspired by an article in Nature by Melanie I. Stefan
Ph.D., Romance Languages and Literatures, Princeton University, 2002.
B.A., Amherst College, magna cum laude, French and English, 1994.
OTHER ACADEMIC EXPERIENCES
Ecole Normale Supérieure (research sabbatical as externe), 1997
Université de Paris-Sorbonne and the Institut d’Etudes de Sciences Politiques, 1993
• La Grande Evasion: Sur la politique de l'Edition. ESPRIT, MAY 2017. A critique of evasive philosophical writing.
• "Wild Solidarity," in Untranslatability Goes Global, edited by Jill Levine and Katie Jan (forthcoming from Routledge Press): an essay on the necessity to keep translating and collaborating, not merely despite but because of the very limitations of language and human relationships.
• "Tu ne sais pas lire" ESPRIT, March/April 2017: a manifesto that describes the subliminal and paradoxical nature of a cultural politics meant to paralyze those who do not have the means to purchase a seat at the table.
• "Ekphrasis and Collaboration in Tolstoy's Anna Karenina and Joe Wright's" (with Val Vinokur) in Tolstoy Studies Journal (Special Issue): Anna Karenina for the Twenty First Century, edited by Ani Kokobobo and Emma Lieber (2016): an essay on how Anna Karenina functions as a negative bildungsroman, a failed search for vocation and self-actualization, and how Anna's performance of an impossible love story, a tragic tableau vivant, becomes the outsider art project of a 19th century housewife.
• "Tasks Without Solutions: Why Freud's The Interpretation of Dreams Matters to Translation Culture," Small Axe: A Caribbean Journal of Criticism, Number 45 (November 2014). This piece can be inscribed in what Daniel Boyarin has referred to as Cultural Studies in Freud, a movement that reclaims the insights in Freud's work without relying on its data or conclusions.
• "Dark Horse Poetics: Lévi-Strauss, Benitez-Rojo, and Caribbean Epistemology, Small Axe: A Caribbean Journal of Criticism, Volume 18, Number 43 (March 2014). Lévi-Strauss is famous for saying that the figure of Don Quixote is the key to his work. This essay reads Lévi-Strauss and the works he has inspired as a kind of poetics for the underdog.
• “Négritude as Dark Play,” This is the essay Rose Réjouis wrote for the catalogue for the art exhibit, “Négritude,” at Exit Art (New York, May 20-July 25, 2009), for which she was a guest curator. This New York Times review of the show offers a great description of it.
• “Object Lessons: Metaphors of Literary Agency in Walter Benjamin’s ‘The Task of the Translator’ and Patrick Chamoiseau’s Solibo Magnifique,” French Literature Series, 2009.
• “Sharp Minds, Raw Hearts,” preface to Love, Anger, Madness by Marie Vieux-Chauvet, translated by Réjouis/Vinokur (New York: Modern Library, 2009).
• Interview with Patrick Chamoiseau [in French]: « Une lectrice dans la salle; entretien avec Patrick Chamoiseau ». See the English version in Calalloo.
• Veillées pour les mots [Wakes for Words] : Aimé Césaire, Patrick Chamoiseau et Maryse Condé (Paris: Karthala, 2005). A study of the motif of the funerary wake in the Caribbean novel, tracing an evolution from the figure of the martyr, in works from the colonial period, to that of the storyteller-writer, who adopts the mode of mourning for the passing of a traditional society in order to address forms of neo-colonialism. Featured in Radio-France/France Culture’s dossier, “Hommage à Aimé Césaire,” June 2008.
• Love, Anger, Madness (with Val Vinokur), three novellas by Marie Vieux-Chauvet (New York: Modern Library, August 2009). Project supported by a John Simon Guggenheim Fellowship.
• Texaco (with Val Vinokur), novel by Patrick Chamoiseau (New York: Pantheon Books, 1997), (London: Granta, 1998), (New York: Vintage Books, 1998). Reviewed by John Updike (New Yorker), Leonard Michaels (cover of The New York Times Book Review), Derek Walcott (NYRB), Caryl Phillips (New Republic); reviews in NYT, LA Times, TLS, London Review, Chicago Tribune, etc.
• Solibo Magnificent, (with Val Vinokur), novel by Patrick Chamoiseau (New York: Pantheon Books, 1997), (New York: Anchor Books, 1999), (London: Granta, 2000). Reviewed by Richard Bernstein (NYT), Caryl Phillips (NYTBR), Salon, African American Review, etc.
• “Dark and Dangerous Fiction: A discussion between Rose Réjouis and Edwidge Danticat." Introduction by Tiphanie Yanique. Organized by Miriam Ticktin and the Gender Studies Program at The New School (February 2014).
• “Translating the Savage: Léry and Lévi-Strauss,” La Maison Française, New York University (Spring 2013).
• “Freud’s Moses and Césaire’s Toussaint Louverture” UC Davis (February 2012).
• “Celebrating Marie Vieux-Chauvet’s Reading of her own Work,” keynote address at Florida Atlantic University conference: Haiti and the Americas (October 2010.
• “Staging Sacrifice: Reading Marie Vieux-Chauvet Again,” Yale University (spring 2010).
• “The Translator on Trial,” Invited Lecture, Symposium on Marie Chauvet at CUNY, 2009.
• "Cultural Créolité," Invited Lecture at Columbia University, 2005.
Cultural politics of gender, race, and class; the modern novel; the literature of the African diaspora; childhood narratives; cultural translation and transmission; intellectual history.
American Translation Association Lewis Galantière Prize for Best Book.
Princeton University Fellowship.
Amherst College Fellowship.
The Amherst College Frederick King Turgeon Prize: For a senior who has done particularly distinguished work in French.
Create/Destroy a Book
New Women, New Myths
Autobio of the Scholarship Kid
Independent Study (Open Campus)
Ind Senior Project (Open Campus)
Baudelaire: City Blues