Folk music of the 1960s and 1970s was a genre that was always shifting and expanding yet never found room for some communities. Through soul-folk, Black artists like Terry Callier and Linda Lewis reclaimed their space in the genre, using it to bring their own traditions - jazz, blues, field hollers, spirituals - to light to create something wholly new, wholly theirs, wholly ours.
This book traces the growing influence of soul-folk and its evolution from folk tradition to subgenre. Along the way, it explores the musicians, albums, and histories that made soul-folk what it is.
The New School admits students of any race, color, national and ethnic origin to all the rights, privileges, programs, and activities generally accorded or made available to students at the school. It does not discriminate on the basis of race, color, national and ethnic origin in administration of its educational policies, admissions policies, scholarship and loan programs, and athletic and other school-administered programs.