• Trieu-Minh Duong

  • Trieu-Minh Duong

    Copywriter & PR Specialist

    Art, Media, and Technology (BFA), 2024
    She/her

    [email protected]
    @Portfolio
    @Instagram

    Languages spoken: English, French

    Skills: Entrepreneurship, Marketing & Communications, Publishing, Media and Technology, Art & Design

    Trinity Duong was born in 2002 in Mississauga, Canada. She lives in Paris, France.

    Her artistic endeavors follow the self-expression of both artist and audience. She has been producing watercolor paintings that follow the abstract body compositions manufactured by close camera range. Exploring the relationship of oneself, she hopes to evoke self-reflection to each spectator's unique history. Having worked with the same brushes and watercolor palette for five years now, what Duong produces relies on the act of creating opposed to the evolution of materials.

    Most recently in 2023, her work has been exhibited at the Chelsea College Vernissage Fine Art Exhibition and Mirage, London, UK. She is currently working on an installation project contributing to the Parsons Paris BFA AMT 2024 Exhibition that will showcase her paintings as well as her creative writing.

    Duong’s professional ambitions in print and digital publications explore new-wave technologies, fashion, and lifestyle through a socio-economic lens. Her creative pursuits within publication follow ambiguity within seemingly face value moral tales.

    Her work has been presented in publications including, Le Requin Rose Issue 8: Spies, Paris, France, 2023. Enfnts Terribles Magazine, Antwerp, Belgium. 2022; Satyourday Radio, New York City, United States. 2022; Brand’s Media Group, Paris, France. 2021 - 2022. (over 100 articles); Merde Magazine Issue IV: Nostalgia, Paris, France. 2021.

    Thesis Title: I Knew These People

    duong-trieu-minh-thesis-2024.jpg

    Trinity's final installation project aimed to engage members of the public by producing a transformative space that evokes a universal childhood experience. Through the layers of sheets, blankets, and pillows she aimed to induce sentiments of primary foundations. Accompanied, is a series of short stories she wrote inspired by adulthood and the loss of childhood innocence. The installation and stories are meant to play to each other's strengths and remind children and adults alike that they are indebted to experience one another.

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