Dafna Naphtali
Part-time Assistant Professor, Music
Email
dafna@newschool.edu
Office Location
A - 66 West 12th Street
Profile
Dafna Naphtali is a versatile sound artist, vocalist, guitarist, and composer and improviser of electronic and experimental music. She focuses on experimental music and improvised music in combination with electronics using her custom Max/MSP programming for sound processing of the voice and other instruments, as well as works for multi-channel sound, robotics and location-based audio augmented reality soundwalks. In her longest running projects she use live sound-processing of acoustic instruments and voice, as her self-made “instrument.” She’s performed and released duo recordings with: Luis Tabuenca, Chuck Bettis, Ras Moshe Burnett, Edith Lettner, Jen Baker, Gordon Beeferman and Hans Tammen. In 2023, she gathered all her duos into a large ensemble, (DUOS++OCTET), for a performance at Roulette Intermedium in New York. She is currently writing a book on this work, "Live Processing & Improvisation" for Taylor & Francis / Routledge.
Dafna was awarded a Guggenheim Fellowship (2023, Music/Sound).
Degrees Held
Master of Music, Music Technology, New York University
Bachelor of Music, Vocal Performance (Jazz), New York University
Voice Pedagogy CCM certified (multi-technical vocal pedagogy training) Shenandoah University Summer ’11&’13 with Jeannette Lovetri and CCM Institute.
Recent Publications
Book Chapters: “What if Your Instrument is Invisible?” Boverman, Till, et al, editors. “Musical Instruments in the 21st Century - Identities, Configurations, Practices” 2016, Springer Verlag
"Locative Media" (co-authored with Richard Rodkin) Filimowicz, Michael, et al, editors. "Foundations of Sound Design Vol. 2", 2018, Routledge
Forthcoming book (in-progress) Live Processing & Improvisation" for Taylor & Francis / Routledge.
Blogs: Authored four posts for New Music Box (newmusicbox.org) October 2017: -- http://dafna.info/new-music-box-blog-posts-oct-2017/ LIVE SOUND PROCESSING AND IMPROVISATION DELAYS AS MUSIC DELAYS, FEEDBACK, AND FILTERS: A TRIFECTA RESONATING FILTERS: HOW TO LISTEN AND BE HEARD
Blog for performance classes: Electronic Music Performance. Ed. Dafna Naphtali, 2012-present. www.electronicmusicperformance.wordpress.com
Created for my students, to serve as a living and evolving list of essential listening in experimental electronic music + related fields– grouped topically with the intention of underscoring connections between music made over several generations and overlapping practices.
Online Article: "What If Your Instrument Is Invisible?" Almanac on Contemporary Instruments. 3DMIN, 15 Feb. 2015. Web. 13 Sept. 2015.
Web. Interviews: Vdovin, Marsha, and Rod MacLeod. "C74: An Interview with Dafna Naphtali." Cycling '74, Sept. 2011. Web.
Harries, Guy, "Dafna Naphtali interview", LiveElectronicSound.com, 2013, Web.
Portfolio
Current Courses
- Lessons 2000/3000: 4
JLES 3004 - Fall 2026 - Electronic Music & Performance
LMUS 3129 - Fall 2026
Future Courses
- Lessons 2000/3000: 4
JLES 3004 - Spring 2027 - Soundwalking & Field Recording
LMUS 3117 - Spring 2027
Past Courses
- Lessons 2000/3000: 4
JLES 3004 - Spring 2026 - Soundwalking & Field Recording
LMUS 3117 - Spring 2026