Degrees Held
PhD, Duke University -- Literature Program (2017) with Graduate Certificate in Feminist Studies
Professional Affiliation
Women and Performance: a journal of feminist theory (editorial board)
Recent Publications
"Touch Yourself: SOPHIE's Trans Sound," written with Sandra Wazaz, ATM Mag (2021)
"Lived Experience Autocorrecting to Loved Experience" (text and video), ici Berlin (2020)
"Honey" (text and video), Center for Experimental Lectures & Artists Space (2020)
"Dependency and Improvisation: A Conversation with Park McArthur," with Constantina Zavitsanos, in Art Papers 42.04 (2018/2019), special issue on Disability and the Politics of Visibility, edited by Emily Watlington.
"Second Nature / 2nd Nature: On Ultra-red, TLC, and Dependency," GLQ Gay and Lesbian Quarterly 24.4 (2018)
“Girl Talk and Hold Music: On the Sculptural Poetics of Chat,” TDR: The Drama Review 62.1 (2018)
"Nothing, Something, Everything, Anything," written with Constantina Zavitsanos, text for Artists Space exhibition (2018)
“Leaks: Feminism without Individuals,” text for Les Urbaines, Lausanne, Switzerland. Translated into French by Lucile Dupaz (2017)
“Crossing Pastime and Past Time: On ‘Coming to Power’ and the Love Scene,” written with Constantina Zavitsanos, in I’m Still Coming: Ellen Cantor’s Coming to Power 1993 & 2016, ed. Julie Tolentino and Patti Hertling (New York: Capricious, 2017)
“'A Very Soft or Long Attack and Release’: Disco, Pauline Oliveros, and Queer Extensities,” Lateral: Journal of the Cultural Studies Association 3 (2014) [version with image descriptions here]
“Decay and Relay: Living on Hope for a Long Time and the Jonestown ‘Death Tape.’” Catalog text for Crystal Z. Campbell, Living on Hope for a Long Time (Amsterdam: Rijksakademie van Beeldende Kunsten, 2012)
Performances and Appearances
Interferometer and a composition of waters (adjusted to fit), both made with Constantina Zavitsanos, exhibited at Crip Time, Museum MMK für Moderne Kunst, Frankfurt, September 2021-January 2022
April 4, 1980 (made with Constantina Zavitsanos, 2018), exhibited at Activating Captions, ARGOS Arts, Brussels, April 2021
"Against Borders: Techno Music's Internationalist Imaginaries," conversation with Aloiso Wilmoth, New School, March 2021
"The Council, Militancy, and Mourning" conversation / collective exercise with Adelita Husni-Bey, MCA Denver, February 2021
"Sick Time, Sleepy Time, Crip Time," with Taraneh Fazeli, organized by Ekrem Serdar as part of Timelines of Care, December 2020, Squeaky Wheel, Buffalo, NY
"Lived Experience Autocorrecting to Loved Experience," with Johanna Hedva and Amelia Groom, organized by Amelia Groom, July 2020, ici Berlin
"Honey," Center for Experimental Lectures, organized by Joseph Lubitz and Gordon Hall, February 2020, Artists Space, NY
I wanna be with you everywhere, gathering of disabled artists and writers, organized with Arika, Jerron Herman, Carolyn Lazard, Park McArthur, Alice Sheppard, and Constantina Zavitsanos, Performance Space NY, April 2019
Sensing Salon, exhibition/ session / workshop organized by Valentina Desideri and Denise Ferreira da Silva, November 24-December 16, 2017, Artspeak, Vancouver, BC, Canada, and Summer 2018 & 2020 at Performing Arts Forum, Saint-Erme, France.
Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff, February 11-March 31, 2018, Artists Space, NY.
"Epidemiology: Sculptural and Musical Growth and Decay," panel on Apophatic Aesthetics, College Art Association, February 12-15, 2020, Chicago, IL
"On Leaks and Biohazards," TRANS(form)ing Queer: Annual DC Queer Studies Symposium, April 13, 2018, University of Maryland, College Park, MD.
"Hold Music," The Waiting Room seminar, American Comparative Literature Association Annual Conference, March 31-April 1, 2018, UCLA, Los Angeles, CA
“Feminist Protest Songs: Jacqueline Hoàng Nguyễn with Amalle Dublon,” in conjunction with Soft Skills, April 14, 2017, James Gallery, CUNY Graduate Center, New York, NY
“Jiggle and Noise: Animation and Automation in Feminist Media Aesthetics,” Feminism and New Generations of Old Media semiar, American Comparative Literature Association Annual Conference, March 17-20, 2016, Harvard University, Cambridge, MA
“In Excess of a ‘Proper Cause’,” Black Affect and Minor Feelings Stream, Affect: Worldings, Tensions, Futures Conference, October 15-17, 2015, Millersville University, Lancaster, PA
“Plot Holes and Passages,” Fugitive Femininities Seminar, philoSOPHIA Feminist Society Annual Meeting, May 15, 2015, Emory University, Atlanta, GA