Parsons - Layout Settings

Madison Woiten

Madison Woiten

Picking at the Scab Until it Bleeds

Picking at the Scab Until it Bleeds
In this series of photographs, I explore and question agency, vulnerability, and intimacy as it appears in my own relationship, juxtaposed to what I witnessed while being raised by parents who could not demonstrate how to give and receive love. As I was never taught how to give and receive love, the photographs capture the foreign space in which I have entered with both my body and my mind. The body is examined heavily within the work as a character within my relationship and as a woman’s body subjected to the patriarchy, questioning whether the prior can exist without the latter. The body is also examined within the work as a vehicle for the trauma inflicted from my parents' marriage. Looking to the body in such a way creates an exploration of the consumption of women’s bodies, and the ability, or lack thereof, to reclaim agency and sexualization as a woman. The final product of this process is a very intimate look into my identity as a sexual and romantic being as a woman who has been subject to a patriarchy since childhood.

Madison Woiten

Picking at the Scab Until it Bleeds

Madison Woiten

Picking at the Scab Until it Bleeds

Madison Woiten

Picking at the Scab Until it Bleeds

Madison Woiten

Picking at the Scab Until it Bleeds

Madison Woiten

Picking at the Scab Until it Bleeds

Program Details

Inspired by this work? Explore program features, curriculum, faculty, and more.

Take The Next Step

Notice of Nondiscriminatory Policy

The New School admits students of any race, color, national and ethnic origin to all the rights, privileges, programs, and activities generally accorded or made available to students at the school. It does not discriminate on the basis of race, color, national and ethnic origin in administration of its educational policies, admissions policies, scholarship and loan programs, and athletic and other school-administered programs.