News & Events
Design and Technology Cloud Salon: Xin Xin
Xin Xin is an artist currently making socially-engaged software that explores the possibilities of reshaping language and power relations. Through mediating, subverting, and innovating modes of social interaction in the digital space, Xin invites participants to relate to one another and experience togetherness in new and unfamiliar ways.As an artist, their work has been exhibited internationally at Ars Electronica, Eyebeam, DIS, Kunstverein Wolfsburg, and the Gene Siskel Film Center. They were an Eyebeam Rapid Response for a Better Digital Future Fellow and an Sundance Art of Practice Fellow. As an organizer, Xin co-founded voidLab, a LA-based intersectional feminist collective dedicated to women, trans, and queer folks. They were the Director for Processing Community Day 2019 and they serve on the Processing Foundation Board.Born in Taiwan and based in NYC, Xin received their MFA from UCLA Design Media Arts and currently teaches at Parsons School of Design as an Assistant Professor of Interaction and Media Design.The Design and Technology programs at Parsons present Cloud Salon, a lecture series that invites artists, designers, technologists, and industry professionals to present projects and to engage in direct conversations with participants. This semester Cloud Salon will focus on featuring full-time faculty at The New School with a creative practice at the intersection of Design and Technology.
THE NEXT CHAPTER: BBA Book Exchange
Join us for an exchange of books, ideas, and possibilities in partnership with Housing Works at Housing Works Bookstore & Cafe located at 126 Crosby Street. The HW Cafe will be open.
Book Release: Josh Scannell's The Carceral Surround and David Bering-Porter's Undead Labor
Please join Parsons Media Studies and Eugene Lang Culture and Media in celebrating the release of R. Joshua Scannell and David Bering-Porter’s highly anticipated new books, The Carceral Surround and Undead Labor. Offering novel treatments of the media, technological, and cultural infrastructures of contemporary racial capitalism, Scannell and Bering-Porter provide important theoretical frameworks for understanding how we have arrived at the current moment of polycrisis. Scannell and Bering-Porter will be in conversation with Dominic Pettman, University Professor of Media and New Humanities, to critically think through the deadly stakes of the present, and the open possibilities for new futures. This discussion, presented by the Department of Culture and Media, Parsons Media Studies, and Critical Themes, is the inaugural event of Media Studies at the New School, an ongoing series highlighting cutting-edge faculty and student research into contemporary media and culture.R. Joshua Scannell, The Carceral Surround How digital technologies entrench state power—and a new vision for resistanceAs law enforcement agencies deploy increasingly advanced technologies to suppress dissent, hunt migrants, and target marginalized communities, The Carceral Surround offers a powerful new theory of police and prison power in the digital age. Making sense of the rapid expansion of digital carceral infrastructure in a nation that claims to value freedom and individual rights, R. Joshua Scannell moves beyond familiar debates over privacy to show that understanding digital policing requires confronting the political and racial logics that sustain police power.Drawing on digital media theory, science and technology studies, critical race and ethnic studies, and carceral theory, The Carceral Surround reveals how twenty-first-century policing is less about managing crime than about governing possibility. Carceral power now operates across every register of daily life through predictive analytics, risk modeling, and algorithmic systems that track, sort, and preempt. From social media archives and facial recognition software to satellite mapping and radiation sensors, Scannell charts how seemingly disparate media converge into an environment of control that links technocratic governance to the maintenance of racial hierarchy and capitalist order.Tracing today’s technoauthoritarian regime from the NYPD’s assault on Black Lives Matter protesters in 2020 to the Stop LAPD Spying Coalition’s campaign to end predictive policing contracts, The Carceral Surround is a rare hybrid of critique and refusal, illuminating the digital logic of US authoritarianism while imagining pathways for collective resistance beyond its grasp.David Bering-Porter, Undead LaborHow the zombie represents capitalism’s fantasy of limitless laborMuch more than just an enduring figure of horror entertainment, the zombie is a uniquely modern symbol representing capitalism’s most brutal demands on human life. Examining the push to extract surplus value from human bodies in ways that exceed their natural limits, David Bering-Porter shows how this notion of the undead is both integral to and symptomatic of capitalism’s endless cycle of growth and consumption.Bering-Porter demonstrates how the zombie has long been deeply intertwined with issues of race and exploitation, from its origins in the slave plantations of colonial Haiti to its traces in the continuing evolution of artificial intelligence systems, serving as capitalism’s ideal worker: one that never rests, never stops, and never dies. Featuring close readings of Marx alongside films such as I Walked with a Zombie, The Blob, and Night of the Living Dead, the book traces the concept of undead labor as it manifests across various historical epochs, providing insight into the manifold ways that capitalism has sought to transform living beings into instruments of limitless production.As he weaves together critical race studies with an analysis of popular culture and media, Bering-Porter interrogates racialized capitalism and its fantasy of labor beyond all limits. By highlighting how the zombie is borne of the same ideology that has given rise to contemporary burnout culture and environmental collapse, Undead Labor uncovers the capitalist system’s relentless death drive with the hope that it finally may be put to rest.
Visualization and Power: Learning from the Past to Design the Future We Need
This talk will take us back over two hundred years in order to show how data visualization was—and remains—a tremendous form of power. Beginning with two historical examples, the line graphs of British trade data included in William Playfair’s Commercial and Political Atlas (1786) and "Description of a Slave Ship" (1789), created and circulated by a group of British antislavery activists, we will explain how the act of visualizing data has always involved more than just turning numbers into visual form. What forms of information are captured by the data? Whose knowledge does the data represent? What experience does the designer bring to the visualization process? For what purposes, and for whose goals? By describing how our project team has explored these questions in our own major visualization project, Data by Design (MIT Press, 2026), we will show not only how issues of ethics and justice have always been present in the field of data visualization, but also how they continue to offer lessons to those of us who view and design visualizations today.Lauren Klein is Professor of Data & Decision Sciences and English at Emory University, where she also directs the Digital Humanities Lab and the Atlanta Interdisciplinary AI Network. Her research brings together computational and critical methods to explore questions of gender, race, and justice, both in early America and today. Klein is the author (with Catherine D’Ignazio) of the award-winning Data Feminism (MIT Press, 2020), and the editor (with Matthew K. Gold) of Debates in the Digital Humanities (Univ. of Minnesota Press). Her next book is Data by Design: Visualization and Power from Abolition to the Dawn of Data Science (MIT Press, 2026).Tanvi is a design technologist working at the intersection of data, aesthetics, and the humanities. She is currently an Art Director at Apple and co-author of Data by Design (MIT Press, 2026). She has previously worked at Pentagram, Public Policy Lab, and Spotify. She lives in Harlem, NY, with her two cats, Yuchi and Bubbles. More at tanvi.network.
Grace Coddington in conversation with Sara Moonves and William Norwich
Join legendary Vogue editor Grace Coddington for an exclusive evening celebrating her most memorable fashion imagery from the past decade, in conversation with W editor-in-chief Sara Moonves and former Vogue editor, author, and novelist William Norwich. Parsons' Gromek Institute and Phaidon present Grace: Now. Join us and legendary Vogue editor and international style icon Grace Coddington for an evening celebrating her most memorable fashion imagery from the past decade. Grace Coddington is a fashion legend. Known for both her extraordinary talent and fierce dedication to her work, Coddington has produced some of the industry’s most indelible images and cultural moments. In celebration of the publication of Grace: Now (Phaidon), join us for an evening exploring Coddington’s career, creative process, and the stories behind the images. Grace: Now is the third volume in Coddington’s career-spanning series of fashion portfolios. Dedicated to her latest chapter as an independent creative, the book features collaborations with thirteen influential photographers – including Annie Leibovitz, Craig McDean, Peter Lindbergh, Steven Klein, Steven Meisel, David Sims and Jamie Hawkesworth – produced over the past decade for the world’s leading fashion publications, including American Vogue, W, British Vogue and Document. It also features many of her drawings that have appeared on the walls of a San Vicente restaurant, on cups and cards, and as part of a collaboration with Louis Vuitton.Doors open at 6:00 p.m. The program begins at 6:30 p.m. Due to high registration, we recommend arriving by 6:10 p.m. at the latest.
Joyce Joumaa
Joyce Joumaa is a video artist and writer working between Beirut, Montreal, and Amsterdam. After growing up in Lebanon, she pursued a BFA in Film Studies at Concordia University in Canada. Her work explores microhistories in Lebanon and elsewhere to understand how past structures shape contemporary realities. Central to her practice is an interest in the political charge inscribed in space and the social psychology that unfolds from the tensions emerging between the two. Joumaa’s work has been presented at institutions including the Montreal Museum of Fine Arts, e-flux Screening Room, the Sharjah Architecture Triennial, and the 60th Venice Biennale. Recent solo exhibitions have been held at the Canadian Centre for Architecture, Plein Sud Centre d’exposition, and Eli Kerr Gallery. Joumaa is the recipient of the Hnatyshyn Foundation Prize for Emerging Artists and the 2025 Baloise Award. She is a 2025–2027 VLC Fellow at the Vera List Center for Art and Politics, The New School.Part of the Fine Arts Visiting Artist Lecture Series
Sextech Lab Screening Series: Cactus Pears (2025), in conversation with Fania Noel & Sandeep Bakshi
Join us for a screening of the film Cactus Pears (2025, dir. Rohan Kanawade), followed by a conversation with Fania Noël and Sandeep Bashki.Moderated by Dr. Sedef Ozoguz, Assistant Professor of Liberal Arts in Psychology.Light refreshments will be served.Presented by SexTech Lab in collaboration with the Philosophy Film Club and Ruff Cuts, the screening series is an interdepartmental, cross-disciplinary initiative that engages with film as an intellectual and cultural work to be discussed, debated, and thought with. The series draws on New York City’s extraordinary density of critics, journalists, artists, filmmakers, and public scholars in our orbit, bringing them into dialogue with internal experts at The New School, moderated by students across departments and programs. Each event pairs a screening with dialogue that approaches cinema through historical, philosophical, political, and psychological lenses, showing how public debate, academic inquiry, and applied industry insight can sharpen one another.Underpinned by The SexTech Labs' focus on intimacy, technology, and equity, the series will be curated each term around university-wide themes of Democracy and Culture, Technology, City Initiatives, and Climate and Environmental Justice, ensuring the program remains coherent, timely, and institutionally relevant.Fania Noël is a Black feminist sociologist and writer. She is currently a Visiting Research Scholar in Political and Social Theory at the Center for Place, Culture, and Politics at the Graduate Center of the City University of New York (CUNY) and will soon join New York University’s Remarque Institute as a Fellow. Her research examines Black leftist politics, cross-racial coalition spaces, and racialized gender in France, as well as gendered racialization representation in popular visual culture. Her forthcoming book, In the Name of the Dead Black Wife: Absenting, Blackness, and Gender in Contemporary Science Fictions, will be published by the University of Illinois Press. It examines how mainstream science fiction mobilizes and excises Black women within post-racial imaginaries, positioning them in ways that disavow racial violence while sustaining Blackness as a structuring force and facilitating the redemption of whiteness and Black masculinity. Her work has appeared in Ethnic and Racial Studies, Kohl: A Journal for Body and Gender Research, and ASAP Review, with additional work forthcoming in Contemporary French Civilization. She received the 2025 Feminist Scholar-Activist Award from the American Sociological Association’s Sex and Gender Section. She authored several books in French on Black feminist thought and politics, most recently 10 Questions sur les féminismes noirs (Libertalia, 2024).Sandeep Bakshi (he/they) researches on transnational queer and decolonial enunciation of knowledges. He received his PhD from the School of English, University of Leicester, UK, and is currently employed as Associate Professor of Decolonial, Postcolonial and Queer Studies at University Paris Cité. He convened two research seminars, “Peripheral Knowledges” and “Empires, Souths, Sexualities,” (2019-2024) and currently co-convenes the research seminar, “Undiscipline, Decolonise, Repair”. He leads the Pôle Société Civile of the Cité du Genre Institute, Université Paris Cité. Co-editor of The Sage Handbook of Decolonial Theory (London: Sage, 2025)), Decolonizing Sexualities: Transnational Perspectives, Critical Interventions (Oxford: Counterpress, 2016), ‘Decolonial Trajectories’, special issue of Interventions (2020), and Qu’est-ce que l’Intersectionnalité? Dominations plurielles : sexe, classe et race (2021), he has variously published on queer and race entanglements in postcolonial literatures and cultures. He was a visiting fellow at the Institute of Advanced Studies for Humanities at the University of Edinburgh (2021-2022) and is the co-founder and Co-Director of the Decolonizing Sexualities Network (https://decolonizingsexualities.org). He serves on the Arts and Humanities Career Advisory Group of the Wellcome Trust, London and is a member of the Board of Directors, CLAGS: The Centre for LGBTQ Studies, City University of New York.
CD Lecture Series: Aldo Juraidini Zorrilla
Aldo Juraidini Zorrilla is a designer working across disciplines, with a focus on product, strategy, and brand. In his work, he guides multi-disciplinary teams on projects mainly for the digital world. As a Design Director at Studio Rodrigo, he collaborates with designers and companies at every stage—from seed to scale—to help bring products to life through concept development, strategy, and visual design.aldo.designstudiorodrigo.comcinemarodrigo.com
Design and Technology Cloud Salon: Ayodamola Okunseinde
Ayodamola Tanimowo Okunseinde (ayo) is a Nigerian-American artist, designer, anthropologist, and time-traveler living and working in New York. He studied Visual Arts and Philosophy at Rutgers University. He earned his BA. His works range from painting and speculative design to physically interactive works, wearable technology, and explorations of “Reclamation”. His residency participation includes ITP’s S.I.R., IDEO’s Fortnight, The Laundromat Project, Eyebeam, New INC, and Recess Assembly. He has exhibited and presented at the 11th Shanghai Biennale, Tribeca Storyscapes, EYEO Festival, Brooklyn Museum, MIT, Beyond the Cradle, and Afrotectopia, amongst others. He holds an MFA in Design and Technology and an MA in Anthropology from The New School. He is currently a PhD candidate in Anthropology at The New School for Social Research and serves as an Assistant Professor of Interaction and Media Design at Parsons School of Design.The Design and Technology programs at Parsons present Cloud Salon, a lecture series that invites artists, designers, technologists, and industry professionals to present projects and to engage in direct conversations with participants. This semester Cloud Salon will focus on featuring full-time faculty at The New School with a creative practice at the intersection of Design and Technology.
Every Contact Leaves a Trace: The Poetic Movements of Lynne Sachs
Every Contact Leaves a Trace: The Poetic Movements of Lynne Sachs Screening of Every Contact Leaves a Trace, Followed by a Talk and Q&A with the Filmmaker
In Conversation with Jenna Lyons
We are pleased to welcome Jenna Lyons (BFA Fashion Design ’90), Partner and Executive Creative Director at FundamentalCo and former President and Executive Creative Director of J.Crew Group, for a conversation with David Colman. Widely recognized as the creative force behind J.Crew’s rise into one of the country’s most coveted fashion brands, Lyons has built a career at the intersection of fashion, design, and business. A seasoned entrepreneur and tastemaker, she has been named one of Time’s 100 Most Influential People and called “The Woman Who Dresses America” by The New York Times. During the conversation, Lyons will reflect on her creative journey, her approach to building a distinctive brand, and her perspective on the evolving fashion industry.Doors open at 6:00 p.m.The program begins at 6:30 p.m.
BFA Photo Artist Talk: Sung Jin Park In Conversation With Alex Lin
Park Sung Jin is a photographer born in Seoul, South Korea. He studied painting and photography at Pratt Institute in New York. His series, Kid Nostalgia, which portrays outsider teenagers in his hometown of Seoul, was selected for the 2005 Art+Commerce Festival of Emerging Photographers in New York and featured in the accompanying catalogue PEEK and Capricious#7. He won first prize in the Photographic Center Northwest’s 12th annual competition which was juried by Charlotte Cotton, then curator of photography at LACMA. His work has been presented internationally, including in Youth Code, curated by Nathalie Herschdorfer for the 2012 Daegu Photo Biennale in South Korea; the third LaNuu Photography Festival in Rubí, Spain, in 2017; and Fluorescent Adolescent, a photobook exhibition at Fondazione Palazzo Magnani during the 2025 Fotograa Europea festival in Reggio Emilia, Italy. His practice has developed through portrait projects, publications, competitions, biennials, photography festivals, and exhibitions presented across the United States, Europe, and Asia. He has published two monographs, Kid Nostalgia (2014) and Southern Breeze (2019), and is currently working on several projects in Bangkok and Seoul. Alex Lin is a New York–based graphic designer and founder of Studio Lin, with a particular focus on photobooks and cultural publishing. Studio Lin has designed numerous titles shortlisted for the Paris Photo–Aperture PhotoBook Awards, including Sasha Phyars-Burgess’s Untitled, winner of the 2021 First PhotoBook Award, and Genesis Báez’s Blue Sun / Sol Azul, shortlisted in 2025. In 2023, Lin served on the international shortlist jury for the Paris Photo–Aperture PhotoBook Awards.
Designing the Future: AI, Fashion & Creative Education
Join us for a conversation bringing together faculty, students, and critical voices to explore how artificial intelligence is shaping fashion design, creative practice, and education.The panel will explore the future of Parsons Fashion education in an AI-driven landscape, beginning not with the technology itself, but with what makes a Parsons Fashion education distinctive: systems thinking, human-centered design, materiality, experimentation, sustainability, innovation, and the ability to challenge existing models of fashion and production. The conversation will ask what kinds of designers and thinkers we want to cultivate, and how AI might support, expand, or challenge that vision. Together, we will consider what we should preserve, rethink, and imagine as AI becomes increasingly embedded in creative practice and education; including questions of critical thinking, authorship, creativity, research, and design development. Ultimately, the discussion will help generate the questions, perspectives, and principles that can inform thoughtful guidelines for the use of AI in design and written work across Parsons Fashion, while laying the groundwork for future workshops, symposiums, and broader industry conversations.
New York City Graduate National Portfolio Day
What are National Portfolio Days?National Portfolio Days are annual events held in multiple locations across the United States, Canada and Europe. They are designed to provide a unique opportunity for you to meet individually with professional representatives of accredited art, design, and architecture colleges and universities. You'll be able to receive valuable feedback and guidance on your visual portfolio before you submit it as part of your admission application. Not all members schools attend each event. Visit nationalportfolioday.org for a complete list of schools attending each event, including November 8 in New York City.No admission decisions or scholarship awards will be offered to you at National Portfolio Days. Some college and university representatives may accept your portfolio as the visual portion of your application. Others have restrictions that prohibit them from making a definitive portfolio decision at the time of your review. All representatives will be happy to discuss their specific programs of study and provide answers to questions about the availability of scholarships and financial aid.You will not find National Portfolio Days to be an examination or competition; the events are about an exchange of information. The representatives want to learn about you, your work, and your post-secondary plans, all while informing you about their college or university and application requirements. These events may be the first time you have been in an environment with so many people in one place who all share a powerful commitment to art and design. Use this as an opportunity to be inspired, to gain advice as to how to improve or present your portfolio and to experience a small taste of what it is like to attend a professional art and design program.What is the National Portfolio Day Association?The National Portfolio Day Association (NPDA) was created in 1978 solely for the organization and planning of National Portfolio Days. The Association consists of representatives that hold regional accreditation and accreditation from the National Association of Schools of Art and Design (NASAD), or Substantial Equivalency status. NPDA is the only organization of its kind and the membership represents the highest standard of visual arts education available in the world.What should I bring to a National Portfolio Day?A portfolio of visual artwork that includes your best and most recent work, but it can also include works in progress, sketchbooks and tear sheets. Don’t hesitate to explain how you develop your ideas and where you want to go with them. Often, sharing the process of arriving at the completed work is as valuable as simply presenting finished products. You will hear many different opinions about your work that will be reflective of the admission requirements of each school. Therefore, we urge you to discuss your work with as many colleges/universities as possible and to bring no more than 15 works. Your portfolio can be presented as original work or on screen, but make note wifi may not be available at all locations. Students who are not prepared to show a portfolio may attend to gather information from college/university representatives.All National Portfolio Day events are free and open to the public.
BBA Reading Rhythms
It’s not a book club; it’s a reading party. Join us for a curated evening of reading, faculty authors and music in partnership with Reading Rhythms in the Seventh Floor Lounge of the University Center. Take the special elevator on the 6th floor of the UC to the 7th floor. Bring whatever book you are reading or want to begin reading. We’ll take care of the rest.
BBA Fall Alumni Panel
Join us for an evening of conversation and networking with alumni from the BBA Strategic Design & Management program.We’ll kick off the evening with a candid panel, where BBA alumni discuss transitioning from school to industry—first roles, pivots, day-to-day realities. We'll explore questions and realities of influence, uncertainty, and humanity in post-grad life.Featuring: Angelica del Rocio Dios Jaramillo BBA'17, Gabriel Gononsky BBA'25, Irna Sayeed Routh MS'20, Maggie Cavaliere, Zoia Kozakov Sanders BBA'16, and moderated by Megan Elizabeth BBA'20.The evening will conclude with a mixer, so we hope you'll stick around to meet alumni 1:1, swap contacts, and get real-world advice. Expect great conversation, food, and drinks! We look forward to seeing you there.
In Conversation with Jessica Morgan: On Museum Administration and Building a Curatorial Career
The event will feature a conversation with Jessica Morgan, exploring her experience as a curator and museum director, the role of museum administration in shaping institutional vision, and the different paths toward building a curatorial career. Moderated by Margot Bouman, who will represent the student perspective, the discussion will address questions about entering the art world, navigating institutional structures, and developing a curatorial practice. The conversation will also include questions from students, creating an opportunity for direct dialogue between Jessica and the university community.
Design and Technology Cloud Salon: Colleen Macklin
Colleen Macklin is a game designer and a Professor in the school of Art, Media and Technology at Parsons School of Design. She’s interested in how games model and reveal ideologies through systems. At Parsons, she is the founder and co-director of PETLab, a design research lab that develops games for experimental learning and social engagement. PETLab projects include disaster preparedness games and sports with the Red Cross, the urban activist game Re:Activism and the physical/fiscal sport Budgetball. She is a member of the game design collective Local No. 12, known for the videogame Dear Reader and the social card game, The Metagame. She has co-authored (with John Sharp) Games, Design and Play: A detailed look at iterative game design (Addison Wesley Professional, 2016) and Iterate: Ten Lessons in Design and Failure (MIT Press, 2019). Colleen has a BFA in Media Arts from Pratt Institute, and an MA in International Affairs from The New School.The Design and Technology programs at Parsons present Cloud Salon, a lecture series that invites artists, designers, technologists, and industry professionals to present projects and to engage in direct conversations with participants. This semester Cloud Salon will focus on featuring full-time faculty at The New School with a creative practice at the intersection of Design and Technology.
RUFF CUTS 3 - FALL 2026
This event will be on campus. Registration is required. We are excited to announce the third RUFF CUTS of the Fall 2026 Semester, which will take place on Friday, December 04, 2026 from 8:00 pm – 10:00 pm at Room UL102 in the University Center, 63 Fifth Avenue. About RUFF CUTS Ruff Cuts is a monthly student-run series in which current students and alumni screen and discuss works-in-progress films. Presenters receive feedback on their work from the audience in attendance made up of fellow students as well as faculty members and invited film professionals. We usually screen an average of 7-10 films on a first come, first served basis. Deadline: Please submit your works-in-progress to ruffcuts@newschool.edu by Wednesday, December 2, 2026.Presented by the School of Art, Media, and Technology's MA Media Studies Program at Parson's School of Design.
- The New School’s Archives and Special Collections Exhibit Highlights Outstanding Theses by Mid-20th Century Students Affected by Conflict and Displacement
- Parsons M. Arch Students Create Sustainable ADU’s for Design Workshop Course
- Mayor Zohran Mamdani Joins Tishman Center’s Climate Desk Live Event to Discuss Effects of Climate Change on New York City
- New School Undergraduates Imagine a Future to Run Toward
- Unknown Migrants Exhibition Recognizes the Undocumented Individuals Overlooked by 9/11 Memorial
- Aashita Verma, MFA Design and Technology ‘26, Designs Stamp for New York City Passport Program
- Julia Sonnevend, Associate Professor of Sociology and Communications at Parsons, Named Co-Editor-in-Chief of the Journal of Communication
- Henry VI at The Public Theater Showcases Collaboration Between Parsons and Performing Arts
- The New School’s Spring 2026 Semester in Books
- Parsons Healthy Materials Lab Showcases Healthy, Climate-Positive Products and Ideas at International Contemporary Furniture Fair
- The New School’s 90th Commencement Celebrates the Achievements of the Class of 2026
- Daniel Jonas Roche, Parsons Faculty Member, Co-Writes New Book on Antifascist Architecture
