Associate Professor of Visual Culture
Radhika Subramaniam is a curator and writer with an interdisciplinary practice that deploys such platforms as exhibitions, texts and public art interventions as conscious forms of knowledge-making. She is interested in the poetics and politics of crises and surprises, particularly urban crowds, cultures of catastrophe and human-animal relationships. She was the first Director/Chief Curator of the Sheila C. Johnson Design Center (SJDC) at The New School from 2009-2017 and is also Associate Professor of Visual Culture in the School of Art and Design History and Theory at Parsons School of Design. Previously Director of Cultural Programs at the Lower Manhattan Cultural Council, she was founding executive editor of an interdisciplinary journal, Connect: Art. Politics. Theory. Practice. She is presently working on an experimental narrative nonfiction tentatively titled The Elephant’s I.
Her curatorial practice is cross-disciplinary and dialogic, committed to public pedagogy, critical urbanism and political and social justice. Curatorial projects include Art in Odd Places: Number (2013) and Sign (2009, with Erin Donnelly), Abecedarium for Our Times (Apexart, 2008), and Cities, Art and Recovery (LMCC, 2005–2006), a major two-year international initiative focused on art and culture in the aftermath of catastrophe. At the SJDC, she has developed dialogic curatorial platforms such as Living Concrete/Carrot City (2010, with Nevin Cohen), #searchunderoccupy (2012, collaboratively curated), Art Environment Action! (2012), Masterpieces of Everyday New York: Objects as Story (2013, with Margot Bouman) and Offense and Dissent: Image, Conflict, Belonging (2014, with Julia Foulkes and Mark Larrimore).
PhD. Performance Studies
The Elephant’s I: Looking for Abu’l Abbas. 2018 In Animal Biography: Re-framing Animal Lives. Edited by André Krebber and Mieke Roscher. London: Palgrave Macmillan.
Round Trips: NY-BOM-NY. In Dancing Platform Praying Grounds: Blackness, Churches, and Downtown Dance (Danspace Project Platform 2018 catalogue), March 2018.
Mark Making on the Border. In Images Unwalled. Photography-text essay by the Multiple Mobilities Research Cluster (Miriam Ticktin, Radhika Subramaniam, Victoria Hattam, Laura Y. Liu and Rafi Youatt). Anthropology Now Vol. 9, No. 3.
Flyways (Star 82 Review, Issue 5.2, June 2017)
Loose Connections (in Assuming Boycott: Resistance, Agency and Cultural Production, edited by Kareem Estefan, Carin Kuoni and Laura Raicovich, OR Books, 2017), Reprinted in The Believer Logger June 13, 2017
Not as the Crow Flies (La.lit Vol. 7, Green Issue, Kathmandu, 2016),
Small Acts, Forlorn Practices (in Activating Democracy, edited by Sheryl Oring, Intellect, 2016)
In Search of the Indian Cow (in History According to Cattle, edited by Laura Gustafsson and Terike Haapoja, Punctum Books, 2015)
What are we after what are we? Guatemala Después exhibition catalogue. Quetzaltenango, Guatemala: Ciudad de la Imaginación.
Wild Tales, Cosmic Waters. Catalogue entry for Vibha Galhotra’s Absur-city-pity-dity exhibition brochure, New York: Jack Shainman Gallery. (2015)
Developing Neighbors. (In Entry Points. The Vera List Field Guide on Art and Social Justice, No. 1. Edited by Carin Kuoni. New York: Vera List Center for Art and Politics in association with Duke University Press, 2015)
Introduction to Artist Feature on Art Environment Action!, in Engage, WSQ (Women’s Studies Quarterly) Vol. 41, Nos. 3-4, Fall-Winter 2013
(with Nevin Cohen) Living Concrete/Carrot City: An exhibition platform as a growing medium. Journal of Agriculture, Food Systems and Community Development. Published on-line 11 June 2012 http://dx.doi.org/10.5304/jafscd.2012.023.012
visual culture studies, human-animal relationships, mobility/borders, curatorial practice, urban studies
Member, Multiple Mobilities Research Group: https://www.multiplemobilities.org/
Graduate Institute for Design, Ethnography and Social Thought Faculty Fellowship, The New School, 2018-2019
Mellon Sawyer Seminar in Imaginative Mobilities Faculty Fellowship, Zolberg Institute for Migration and Mobility, 2018-2019
Culture and Animals Foundation Research Grant, 2018
Writing Residency, Hambidge Center, March 2018
International Visiting Curator, Artspace/UNSW Art and Design, Sydney, Australia, May 2017
Artist in Residence, Visual Arts (BAIR) Winter program, The Banff Centre, Canada, March 2014
SEED Fund Teaching Fellowship in Urban Studies, San Francisco Art Institute, Spring 2012International Visiting Curator, Artspace/UNSW Art and Design, Sydney, Australia, May 2017
Parsons Cross-School Funds (2014-2015) for Cambodia – United States – France: Intersecting Curatorial and Ethnographic Practices (with Jaskiran Dhillon and Miriam Ticktin)
Zolberg Center on Global Migration, The New School, Multiple Mobilities Research Cluster (with Victoria Hattam and Miriam Ticktin), 2014, 2015, 2016 (with Hattam, Ticktin, Laura Liu, Rafi Youatt and Abou Farman), 2017
Office of the Provost Innovations in Education Fund, 2014-2015, Cambodia – United States – France: Intersecting Curatorial and Ethnographic Practices (with Jaskiran Dhillon and Miriam Ticktin)
The New School Student Research Assistant Award, 2014-2015
Parsons School-Based Funds for Cambodia Curatorial Workshop, Spring 2013
Parsons Cross-School Based Fund for Emerging Asian Cities colloquium, Fall 2012 (with Aseem Inam)
The New School Green Fund, 2012 for Sustainable Lighting (with Derek Porter)
Office of the Provost Innovations in Education Fund, 2012-2013, Living Arts City (with Jonathan Bach, Adam Brent, Jaskiran Dhillon, Victoria Marshall and Brian McGrath)
Office of the Provost Academic Events Fund Award 2011-2012
The New School Green Fund, 2011 for the exhibition U-n-f-o-l-d: Art and Climate Change
Office of the Provost Academic Events Fund Awards 2010-2011 (with Nevin Cohen)
The New School Green Fund, 2010 for the exhibition Living Concrete/Carrot City
Animality and Visuality
Curating in the Public Domain (Spring 2020)
Curating Public Memory
Making + Meaning: Theory
Objects as History
Objects as History (Spring 2020)