Sharon Mesmer’s fiction collections are Ma Vie à Yonago (Hachette Littératures, Paris, in French translation, 2005), In Ordinary Time (Hanging Loose Press, 2005) and The Empty Quarter (Hanging Loose Press, 2000). An excerpt of her story “Revenge” appears in the anthology I’ll Drown My Book: Conceptual Writing By Women (Les Figues, 2012). Her recent poetry collection, Greetings From My Girlie Leisure Place (Bloof Books), was voted Best of 2015 by Entropy. Four of her poems appear in Postmodern American Poetry: A Norton Anthology (second edition, 2013). Previous collections are Annoying Diabetic Bitch (Combo Books, 2008), The Virgin Formica (Hanging Loose Press, 2008), Vertigo Seeks Affinities (chapbook) (Belladonna Books, 2007), Half Angel, Half Lunch (Hard Press, 1998), and Crossing Second Avenue (chapbook) (ABJ Press, Tokyo, 1997). Other anthologies in which her work has appeared are Brooklyn Poets Anthology (Brooklyn Arts Press, 2017), Poems for the Nation: Edited by Allen Ginsberg (Seven Stories Press, 2000) and The Outlaw Bible of American Poetry (Thunder’s Mouth Press, 1999). Mesmer is co-editor of Flarf: An Anthology of Flarf (Edge Books, 2017). Her awards include a Fulbright Specialist grant (2011), a Jerome Foundation/SASE award (as mentor to poet Elisabeth Workman, 2009) and two New York Foundation for the Arts fellowships (2007 and 1999). Her essays, reviews, and interviews have appeared in publications including the New York Times, Paris Review, American Poetry Review, and the Brooklyn Rail.
Sharon Mesmer will also be the Literary Salon faculty for R. Eric Thomas' Here for It.