Associate Professor of New Genres
Andrea Geyer is a multi-disciplinary artist un-sensing the construction and politics of time. With a particular focus on those who identify or at some point were identified as woman, her works use photography, performance, video, drawing and painting to activate the lingering potential of specific events, sites or biographies. In her work, she continuously tries to find new ways to materialize the entanglement of presence and absence in the face of ideologically motivated omissions. She believes that art should be a site to offer the possibility of re-orientation(s) towards a current moment. She lives and works in New York. To see most recent works go to www.andreageyer.info
Her work has been shown at SFMOMA/ San Francisco, RedCat/Los Angeles; LACE/Los Angeles; Hessel Museum/Bard College; MoMA/New York, the Whitney Museum of American Art/New York; Apex Art/New York; Artist Space/New York; TATE Modern/London; Serpentine Gallery/London; Generali Foundation/ Vienna; Secession/ Vienna; Witte De White/Rotterdam; IASPIS/Stockholm; the Turin Biennale/Italy; Athens Biennale/Greece; and documenta12/Kassel. Her work is collected by
Revolt, They Said, an artist publication, has been published multiple times, most recently by SFMOMA. A comprehensive catalogue was published in collaboration with Sharon Hayes by Kehrer Publisher, Nurnberg. Andrea Geyer has published two artist's books: Audrey Munson, The Queen of the Artists' Studios (Art In General/New York) and Spiral Lands / Chapter 1 (Koenig Books/London).
To Those Who Have Eyes to See, SFMOMA, San Francisco, CA.
Gezeiten/Tides, Studiengalerie 1.357, Goethe Universität Frankfurt a. M., Frankfurt, Germany.
Truly Spun Never, Parque Galería, Mexico City, Mexico.
Travels on Slender Thread, The New Foundation, Seattle, WA.
Time Fold, Galerie Thomas Zander, Cologne, Germany
It's Time, She Said, Installation. Commissioned for the Opening of the new Whitney Museum, New York, NY.
Revolt, They Said. Museum of Modern Art, New York, NY.
Insistence, as part of the series "Contesting Terrain", Harn Museum of Art, University of Florida, Gainesville, FL.
How Long Is Now?, KINDL – Centre for Contemporary Art, Berlin, Germany.
Critical Aesthetics: The First 10 Years, University Art Gallery, Claire Trevor School of Fine Arts, Irvine, CA.
Everything Happens Somewhere – Landschaftsstrategien, Galerie Thomas Zander, Cologne, Germany.
Kunst-Musik-Tanz, Museum der Moderne, Salzburg, Austria.
Time / Image, Krannert Art Museum, Champaign, IL.
Emphasis Repeats*, Hessel Museum of Art, Annandale-On-Hudson, NY.
Emphasis Repeats, Hessel Museum of Art, Annandale-On-Hudson, NY.
Rewriting Histories, Fotografisk Center, Copenhagen, Denmark.
Time / Image, Blaffer Art Museum, Houston, TX.
Inaugural Exhibition. Parque Galeria, Mexico City, Mexico.
Sebald Variations, Centre de Cultura Contemporània de Barcelona, Barcelona, Spain.
Dancing Foxes Press Benefit Exhibition. Bridget Donahue Gallery, New York, NY.
West Space Journal Release. Melbourne Art Book Fair, National Gallery of Victoria, Melbourne, Australia.
Contemporary Art, Feminism, Queer Theory, the Archive, Post-Colonial Theory, Photography, Performance/Dance, Video, Installation
Creative Time Global Residency
Museum of Modern Arts Research Fellowship
Art Matters, Louis Comfort Tiffany Foundation Fellowship
Vera List Center for Arts and Politics Fellow
New York Foundation for the Arts, Artist Fellowship
Graduate Core: Studio Visits
Visiting Artist Lecture Series
Graduate Core: Group Crit A
Graduate Core: Group Crit B
Professional Practice 1