Artist-in-Residence profile; actor.
“Why, hello, young people,” said Mark Ruffalo, as he settled onstage next to Pippin Parker, director of The New School for Drama. The actor and activist momentarily struggled with his lavalier mic before exclaiming, “We don’t need these! We’re actors! We should be loud!” The 40 or so Drama students in the audience laughed in response.
The event was part of Ruffalo’s role as The New School for Drama’s 2014 artist-in-residence. The artist-in-residence position is a centerpiece of the program’s hands-on, project-based educational methodology, which gives students direct access to New York’s global theater and acting scene. The discussion began with Ruffalo reminiscing about his early career nearly two decades ago in Los Angeles.
“Well, at the beginning, my moral code was just say ‘yes’ to everything,” Ruffalo said.
“That’s not a morality, just a code,” shot back Parker amid laughter from the crowd. Parker continued, “From what I remember of those early days, the day you got your big break, you were cleaning floors at Stella Adler’s."
“Not cleaning,” said Ruffalo of the side job he held while he studied at the renowned acting conservatory. “Had cleaned.”
“Oh yes, my mistake,” said Parker. “But that’s where you met [playwright and director] Kenneth Lonergan, which led to your role in the original cast of This Is Our Youth.”
To this day, Ruffalo still uses the techniques he learned while at Stella Adler’s Conservatory, and he passed those tips along during the town hall held last night. One involved the importance of props. “A character is how they use a prop,” he explained. Picking up a nearby water bottle, Ruffalo proceeded to explain the concept while gesturing wildly. “It’s always the inner that has to be tamed by the outer. Not adapting the character to the prop shows insincerity.” Water spilled all over the stage as he continued to move his arms. “Actors must be honest to the environment. Props don’t lie.”
Another tip hit closer to home. Ruffalo spoke of how Adler always challenged her students to be well-informed citizens and active participants in the broader community. “Artists have a responsibility to reflect the times they live in, to believe in something and stand for something,” he said. “The spotlight is on us as celebrities, and we have just enough time to throw someone in front who’s facing a social justice issue.”
Ruffalo is a living example. Worried about the risks of hydraulic fracturing for natural gas near his upstate New York home, he co-founded the Solutions Project with Stanford professor Mark Jacobson, Pegasus Capital Advisors partner Marco Krapels, and filmmaker Josh Fox. The initiative has created a plan to get every state using completely renewable energy by 2050.
“Actors by their very nature are passionate. It’s part of our job. Now we need to use it for the good of society.” Passion is infectious, after all.
“Mark Ruffalo is not only recognized as one of the finest stage and film actors of his generation,” said Parker, “but also a leading advocate for environmental issues. With a career that stretches from New York’s experimental downtown theater scene to Hollywood's blockbusters, Mark is sharing with our students a unique perspective on the role of citizen-artist, which is in the best tradition of The New School.”
During more than 20 years, Mark Ruffalo has acted in films including Kenneth Lonergan’s You Can Count on Me (Lonergan has also taught at The New School for Drama), Lisa Cholodenko’s The Kids Are Alright (for which Ruffalo was nominated for an Academy Award for Best Supporting Actor), Michel Gondry’s Eternal Sunshine of the Spotless Mind, David Fincher’s Zodiac, and The Avengers series. He is thedirector of the film Sympathy for Delicious. Ruffalo had his start in New York theater as the co-founder of the Orpheus Theater Company. He is also well-known for his environmental and political activism supporting renewable energy and clean water.