Overview and General Principles
The New School is an academic and artistic community dedicated to freedom of inquiry and expression. It is equally committed to creating an environment in which rational and civil discourse prevails and where tolerance, understanding, and appreciation for diversity are valued. The university acknowledges that these values may sometimes appear to be in opposition and that free expression may sometimes offend. The following policy is not intended to avoid such circumstances from occurring. It is, however, intended to insure that the selection of works of art for display in university galleries is made with the best professional judgment and according to the highest educational and artistic standards.
The galleries and exhibition centers associated with the university's two art campuses, Parsons The New School for Design and Ecole Parsons a Paris, function as a part of the academic activities of the university and of the art schools. Their primary purpose is educational. They support the art schools curricular programs; and they enhance the environment in which teaching and learning occur.
As components of the university's academic programs, exhibition spaces are subject to the same policies and procedures that govern all other aspects of those programs. Like the classroom or speaker's platform, the galleries are protected by and subject to the Policy on the Free Exchange of Ideas and the Statement on Freedom of Artistic Expression. This latter statement says, in part, that the display of works of art, regardless of how unpopular the work might be, must be unhindered and free from coercion. Members of the university community and guests must reflect in their actions a respect for the right to communicate ideas artistically and must refrain from any act that would cause that right to be abridged.
Like other aspects of the teaching and learning process, the operations of the galleries within individual schools or campuses are subject to the guidance and oversight of the faculty of each school. The responsibility for the quality and appropriateness to the curriculum of a gallery exhibit rests with the faculty, department chairs, and the dean. Divisions may differ as to how this responsibility is manifested.
Varying structures may exist for administering and supervising different galleries serving different purposes. However, the principle of faculty responsibility must be observed whatever the specific supervisory structure.
Supervision of exhibit activities falls into two broad categories:
- setting of general gallery policies and selection and scheduling of specific exhibits and;
- organization and assembly of individual exhibits.
In the following discussion, the term "art" is intended to encompass the fields of fine art and design. Work in both fields is regarded as "artistic expression".
General Policies and Selection of Exhibits
Consistent with their curricular purpose, the university's galleries host a number of different kinds of shows, including the following:
- Shows of student work in which students select examples of their own work to be shown;
- Juried shows of student work in which faculty members and guest critics serve as jurors;
- Shows of faculty work organized by a department, departments, the gallery director, the exhibitions committee, or a combination of these;
- Shows of work of non-faculty artists, organized by a member or members of the university community;
- Shows organized outside of the university. These may be traveling shows, some of which require a fee for their display; or
- they may be shows displayed exclusively at a particular university gallery, either at the invitation of the gallery or on the basis of a proposal made to the gallery.
All types of shows, other than those in the category 1 above, are selected for the galleries through procedures in which faculty members and other duly appointed individuals exercise their best professional judgment. Show of student work are selected and organized according to a different set of procedures, which are discussed below. The principal participants in the management and supervision of the galleries and the selection process are an exhibitions committee for each of the art schools and a gallery director. The exhibitions committee is appointed through the appropriate committee appointment mechanism in each school. Its membership consists of faculty administrators, and students and is representative of the various academic programs within the school. The gallery director is an ex officio member of the committee and a full participant in its work.
The exhibition committee's responsibilities include the following:
- Establishing overall gallery policy, consistent with general university policy;
- Soliciting and initiating proposals for exhibitions and receiving recommendations from the gallery director for exhibitions;
- Reviewing all proposals submitted;
- Selecting, approving and scheduling proposals as they have been submitted or after modifications that the committee suggests;
- Identifying or designating a curator or curators for each selected exhibit who will have direct responsibility for the organization of the exhibit. The gallery director may be designated as the curator;
- Consulting with the curator throughout the curatorial process;
Assisting and supporting the gallery director
The exhibitions committee's selection of proposals is based on its judgment of the artistic merit of the work to be displayed and its relevance to the academic program.
Efforts are made in the selections to present a balanced representation of the diverse artistic disciplines represented in the curriculum. In considering proposals, the exhibitions committee makes every effort to have one or more of its members view the work involved and report to the committee.
When the galleries are used for exhibitions of student work, as in the senior shows that occur in the spring semester, the galleries are considered to be an extension of the departmental exhibition areas. While the scheduling of the senior shows is conducted in consultation with the exhibitions committee, the department chairs assume responsibility for the supervision and organization of the shows and work with the gallery director on their installation. In these cases, the exhibition committee does not exercise its normal supervisory role. Student shows are presented as part of the educational process, and the department chairs and faculty participate through their teaching and advisory roles. When a student show is intended as a vehicle in which students select the examples of their work that are to be shown, the student's decision is final, subject to limitations of space and any other guidelines that have been issued for the show.
Organization and Assembly of Individual Exhibits (Other Than Student Self-Selected Shows)
While the exhibitions committee approves the shows to be displayed in the gallery and attempts to review the work in advance, it does not give approval or disapproval to the content of individual works contained in those shows. The responsibility for the choice of works to be contained in a show rests with the curator, identified or designated by the committee. The curator's task includes the following:
- Selecting the works that will comprise the show;
- Proposing a plan of installation;
- Providing adequate narrative documentation to explain the educational purposes of the show and the principles on which the individual pieces were included in the show;
- Participating with the gallery director in the installation of the show.
The documentation should be displayed as part of the exhibit as well as in any printed brochures that accompany the exhibit. The curator's name should be displayed at the exhibit and in these printed materials. It is understood that the selection of art exhibits to be displayed is the prerogative of the exhibitions committee and reflects the committee's judgment of the overall quality and educational value of the work being shown. It does not reflect endorsement by the committee of the perspective offered by the curator on the work displayed or of any other views expressed through the exhibit and its accompanying documentation, nor of the content of the artwork.
Moreover, the display of artwork does not confer upon that work official endorsement by the host school or university.
Conclusion
Exhibits that have been reviewed and approved according to the above procedures are regarded as authorized for display. However, this authorization does not imply endorsement by the university acting as a corporate entity or its Board of Trustees, officers, or deans. It is the view of the university that, consistent with the Statement of Freedom of Artistic Expression, once duly authorized, installed and opened to the public, an exhibit should not be modified.
It is the nature of artistic expression to be occasionally controversial or offensive.
The possibility exists that some members of the university community will take exception to the display of certain works of art. This policy precludes the removal of such works from display. The Statement on Freedom of Artistic Expression, while recognizing the right to take exception, proscribes defacement or any other form of interference with the display of art. However, the university recognizes a responsibility to be responsive to concerns raised about artwork on exhibit. Such concerns should be addressed through inquiry and open discussion that in themselves will serve an educational and ameliorative purpose. The university and the individual schools regard it as an obligation to facilitate such discussion when these circumstances arise.
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