“Do it Yourself: A History of Alternatives,” in Rosatti, Lauren and Mary Anne Staniszewski, eds. Alternative Histories. (Cambridge, MA: M.I.T. Press, 2012): 23-40.
“Jeanette Ingberman, The Fantastic Dream: A Memorial to Jeanette,” Artnet, August, 2011 (http://www.artnet.com/magazineus/features/burtt/rip-jeanette-ingberman9-9-11.asp, accessed March 16, 2012).
“Peering Behind the Curtain: Artists and Questioning Historical Authority” in Adair, William, et al., Letting Go: Historical Authority in a User Generated World (Philadelphia, PA: Pew Charitable Trust, 2011), 208-229.
“‘The Fever Dream of the Amateur Historian’: Ben Katchor’s The Rosenbach Company: A Tragicomedy” in Adair, ed. Letting Go, 242-265.
“Funding Artists: An Inside Perspective,” in Nieves, Marysol, et al., Taking AIM: The Business of Being an Artist Today (New York: Fordham University Press, 2011), 175-193.
Book Review: “The Self in Black and White: Race and Subjectivity in Postwar American Photography by Erina Duganne.” American Studies Journal 51, no. 2 (fall 2011), 174-176.
Awards and Honors:
2013/2014 New York University Humanities Initiative Fellowship, faculty fellow
2010 Faculty Challenge Grant, Steinhardt School of Culture, Education, and Human Development for a cultural survey measuring arts interests in the Bronx