Mannes

Application Information

  • The 2016 live audition repertoire will include excerpts from the 2016 seminar repertoire: Mozart's Overture to Idomeneo; Symphony No. 41 (Jupiter); Mozart's Violin Concerto No. 3 in G, K. 216; Prokofiev's Symphony No. 1 (Classical); Mozart's Concerto for Two Pianos in E-flat, K. 365; and Mendelssohn's Symphony No. 4 in A, Op. 90 (Italian). Excerpt information is currently available, and downloads will be available after July 13, 2016. We strongly encourage you to familiarize yourself with the entire works so that you understand the excerpts in context.

    Application to the New York String Orchestra Seminar is a two-step process:

    1. Submission of application, $25 application fee, and recorded audition by the deadline, Monday, October 3, 2016. The recorded audition repertoire is found at the bottom of this page.
    2. If you pass the recorded audition, you will be scheduled for a live audition mid-October through early November on the basis of the date you selected in your application. (See available dates and locations below). The live audition repertoire is not the same as the recorded audition repertoire, and is available here.

    Twenty-four violinists, ten violists, eight cellists, five bassists, two flutists, two oboists, two clarinetists, two bassoonists, two horn players, two trumpet players, and one timpanist will be invited to the 2016 New York String Orchestra Seminar.

    There is no fee for those accepted to the program. Every accepted student receives free tuition, housing, meals, and local transportation (total value more than $3,750). Participants pay only their travel costs to and from New York City.

    Note: All accepted students must stay in the housing provided by the New York String Orchestra Seminar and must be present for all rehearsals, sectionals, and chamber music sessions, 9:00 a.m.-11:00 p.m. Monday, December 19, through Wednesday, December 28, 2016. December 25 is the only full day off from the program.

    Application and Deadline Information

    Applications and audition audio files must be received by October 3, 2016.

    October 24 and November 13. All applicants will be notified by email by November 18 of the live audition result.

    The Seminar will take place December 19-28, 2016.

    Qualifications

    • You are at least 16 and no older than 23 years of age at the time of the seminar (December 2016).
    • You are a technically proficient musician with experience playing in an ensemble or orchestra.
    • You have not participated more than once before in the New York String Orchestra Seminar.

    Terms of Auditions

    • To be considered for admission, you must pass both a recorded and a live audition. Repertoire requirements for live auditions differ from requirements for recorded auditions.
    • You must pass the recorded audition before you will be scheduled for a live audition. (Exception: Previous participants and designated alternates are exempted from the recorded audition. If you are unsure whether this applies to you, call the office at 212.229.5873.) Please note: The recorded audition is not simply a pre-screening. It is your first audition. Please prepare with as much care as you would for a live audition.
    • Those who pass the recorded audition will be contacted to confirm a live audition time. You must pass a live audition to be considered for participation; there are no exceptions.

    Recorded Audition Repertoire

    • Your application recording must be between 10 and 15 minutes long and submitted in mp3 format only (no other audio formats or videos accepted).
    • You may submit your required works in separate mp3 files or as one continuous file.
    • Accompaniment is not required, but is allowed.
    • Depending on the length of the works you select, you may opt to play movements rather than entire works, or even an excerpted section of a movement.

    Remember, the live audition repertoire is different from the recorded audition repertoire. We strongly recommend that you begin preparing your live audition as soon as you have submitted your application and recorded audition.

    Required Recorded Audition Repertoire

    Violin, Viola, and Cello Players*

    • Mendelssohn: Midsummer Night's Dream, first page of the scherzo (Violin: beginning - 7 measures after Letter D;  Viola and Cello: beginning - to Letter D)
    • Two contrasting works of your choice (please make sure the works contrast both in tempo and in style)

    Bass Players*

    • Mozart: Symphony No. 39, first movement, m. 13 – four before allegro, Letter A - Letter C
    • A work by Bach of your choice
    • A contrasting work of your choice

    Flute Players*

    • Mendelssohn: Midsummer Night's Dream, scherzo (solo at the end)
    • A work by Bach of your choice
    • A contrasting work of your choice

    Oboe Players*

    • Brahms: Violin Concerto, second movement solo
    • Rossini: La scala di seta, allegro
    • A work by Bach of your choice
    • A contrasting solo work of your choice

    Clarinet Players*

    • Mendelssohn: Midsummer Night's Dream, scherzo (Clarinet I, first page)
    • Mozart: Clarinet Concerto. Play the exposition of the first movement and the exposition of the second movement.
    • A contrasting solo work of your choice

    Bassoon Players*

    • Mozart:The Marriage of Figaro, overture, m. 139-171
    • A movement from a concerto or sonata of your choice
    • A contrasting movement; may be from a concerto, sonata, or work for bassoon alone (étude) of your choice

    Horn Players*

    • Choose either Mozart's Horn Concerto No. 2 or Mozart's Horn Concerto No. 4. Play the exposition of the first movement.
    • Tchaikovsky: Symphony No. 5 - second movement solo
    • Strauss: Till Eulenspiegel opening calls

    Trumpet Players

    • Haydn: Trumpet Concerto, first movement, exposition and development
    • Mussorgsky/Ravel: Pictures at an Exhibition, opening
    • Stravinsky: Petrouchka, ballerina solo
    • Mahler: Symphony No. 5, opening
    • Respighi: Pines of Rome, offstage solo
    • Mozart: Symphony No. 35 (Haffner)  - Movement 1: m. 165 - 176; Movement 4: m. 244 - end

    *A movement of a work is acceptable if the work is lengthy.

    Timpanists - 2016 excerpts are listed below

    Note to timpanists: You are the only players who do not audition live. Therefore, you should take particular care with your recorded audition, which must be unedited. 

    2016 excerpts to be played in the order listed, without stopping the recording between pieces:

    • Mozart: Symphony No. 39, first movement, introduction (minimize bars of rest)
    • Mozart: Symphony No. 41, fourth movement, bar 388 to the end (count bars of rest)
    • Prokofiev: Classical Symphony, fourth movement, bar 1-17 (includes first ending)
    • Bartok: Concerto for Orchestra, fourth movement
    • Mendelssohn: Italian Symphony, first movement, bar 51-69, and fourth movement, 4 before B through 4 after B and last 8 bars
    • Sibelius: Finlandia, six before Letter F through Letter I, with no repeat at Letter H

    Live Audition Repertoire Requirements

    Applicants who pass the recorded audition will receive an invitation and instructions for a live audition. We strongly encourage an early application submission, as the audition time slots are often filled before the final deadline. Only applicants who audition in person are considered for participation in the seminar.

    Repertoire requirements for live auditions differ from requirements for recorded auditions. The New York String Orchestra Seminar is an orchestral program. The deciding factor in selection of participants in the program is often the care taken in preparing the orchestral excerpts for the live audition. We strongly recommend that you begin practicing as early as possible rather than waiting to receive your scheduled audition time.

    2016 Live Audition Tour Dates and Locations

    • Monday, October 24, 2016 - Cleveland, OH (strings only)
    • Tuesday, October 25, 2016 - Cleveland, OH (winds and brass only) 
    • Wednesday, October 26, 2016 - Chicago, IL (winds, brass, and strings)
    • Tuesday, November 1, 2016 - Los Angeles, CA (winds, brass, and strings)
    • Wednesday, November 2, 2016 - Houston, TX (winds, brass, and strings)
    • Friday, November 4, 2016 - New York City, NY (winds only) 
    • Saturday, November 5, 2016 - New York City, NY (brass only)
    • Sunday, November 6, 2016 - New York City, NY (strings only)
    • Friday, November 11, 2016 - Boston, MA (strings only)
    • Saturday, November 12, 2016 - New York City, NY (strings only)
    • Sunday, November 13, 2016 - New York City, NY (strings only) 



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