Ph.D., English Literature (specialization in performance studies), University of Alberta (2009)
Feminist Technology Network (FemTechNet) Chair of Experimental Pedagogies in the School of Media StudiesProfile:
My current academic work focuses on the cultural and intellectual economies and social lives of trans- feminist and queer grass-roots performance (in the broadest understanding of performance). This work includes a book on translocal cultural economies of queer and trans- feminist cabaret, provisionally entitled Sliding Scale, and a large-scale archive and ethno-historiography of feminist and queer community-based performance and media in Canada, called Viscera & Ephemera. I am also in the process of developing a collaborative research-creation project with Jasmine Rault and Dayna McLeod, called the Cabaret Commons: a user-generated digital archive and gossip rag for grass-roots queer and feminist artists, audiences and researchers. We are preempting the creation of this archive through a project/process we're calling "Feeling Speculative in Digital Space." Over the course of the next year or so, we'll be doing some utopic imagining for a digital space that is informed by trans- feminist and queer ways of knowing, being, and making. My first book, entitled Poetry’s Bastard: The Illegitimate Genealogies, Cultures and Politics of Text-Based Performance, is under contract with Wilfrid Laurier University Press.
I also write and teach on contemporary digital cultures, labour, affect, politics and pedagogies and work with the Feminist Technology Network on the Distributed Open Collaborative Course -- the DOCC -- on cyberfeminist approaches to online education and activist pedagogical publics.
As an artist I got my start in the booming (largely feminist) spoken word scene of Vancouver in the late 1990s and since then have been making work that draws from cabaret, costume-based and alter-ego performance, agit-prop theatre, stand-up comedy, video and sound art, installation and intervention. These performances reflect an ongoing quasi-pseudo-autobiographical meditation on feminine composites, class mobility, sexuality and style.
Overall, I am deeply committed to the knowledges and aesthetics of transformational media, performance, subjects and scenes, and my art-research-activism-teaching moves through the politics, spaces and places of genre, memory, agitation, consolation, desire and diverse identifications.
Race, Gender, Cultural Politics: Reading bell hooks
Arts Criticism in Practice: Building a Freelance Portfolio
Trans* Cultural Studies: Theory, Activism and Cultural Production
Creative Resistance & Everyday Life
Performativity & Powerlessness: Embodiments of Social Action from Below
Discourse Analysis (School of Media Studies, MA program)
Feminist & Queer Cultural Texts
Small Genres: Shorts, Tweets, Skits and Zines
Journal Articles: “The Labour of Being Studied in a Free Love Economy.” (With Jasmine Rault.) ephemera. 14.3(2014): 471-488.http://www.ephemerajournal.org/contribution/labour-being-studied-free-love-economy“Speculative Praxis Towards a Queer Feminist Anti-Archive.” (With Jasmine Rault & DaynaMcLeod.) Ada: a Journal of Gender, New Media & Technology. 5: (2014).doi:10.7264/N3PZ573Z “Trading Credit for Debt: Queer History-Making and Debt Culture.” (With Jasmine Rault.) WSQ:
Women’s Studies Quarterly. Special Issue on Debt. Eds. Meena Alexander and Rosalind Petchesky. 42.1-2 (Spring/Summer 2014). 294-310.
“‘I remember . . . I was wearing leather pants’: Archiving the Repertoire of Feminist and Queer Cabaret
in Canada.” Basements and Attics, Closets and Cyberspace: Explorations in Canadian Women's
Archives.” Eds. Linda Morra & Jessica Schagerl. Wilfrid Laurier UP, 2012. 65-86.
“Dayna McLeod's Post-Nationalist Beaver and the Cabaret Phenomenology of Putting Out.” Feminist
Mediations. Eds. T.L. Cowan, Kate Eichhorn & Jasmine Rault. Topia: Canadian Journal
of Cultural Studies. 25 (Spring 2011): 230-239.
“‘a one-shot deal’: Contemporary Cabaret as Improvised Curation.” Canadian Theatre Review. (CTR) 143
(Summer 2010): 47-54.
“Punk Rock Clit Lit: Reading Toward a Punk Poetics in Bent on Writing: Contemporary Queer Tales.” Canadian Poetry. Ed. Andrew Lesk. 57 (Fall/Winter 2005): 103-121"
Feminist Mediations. Co-Editor with Kate Eichhorn & Jasmine Rault. Topia: Canadian Journal of Cultural Studies. 25 (Spring 2011).
Short Publications & Reviews:
“Seeing & Being Seen at Meow Mix Cabaret.” Catalogue essay. Meow Mix Retrospective. Jan 10-Feb 2, 2013. RATS 9 Gallery. Montreal, Quebec. (Jan 2013).
“Reading Through Difference.” Review of Cherríe Moraga’s A Xicana Codex of Changing Consciousness:
Writings 2000-2010. Women & Performance. [Forthcoming]
“Follow-up notes on the GLITTERfesto: TL Cowan in conversation with Tammy Pamalovovich, Aging
Supermodel Lesbian Feminist Experimental Poet and Revolutionary.” Belladonna.
“Transfeminism and Literature.” Vol. II. 147 (2012): 5-12.
“GLITTERfesto: An Open Call in Trinity Formation For A Revolutionary Movement Of Activist
Performance Based On The Premise That Social Justice is Fabulous.” Canadian Theatre Review
(CTR). Ed. Natalie Alvarez. 150 (Spring 2012): 11-17.
“cabaret at grunt: up your community.” Activating the Archives. Grunt Gallery, Vancouver. Spring 2012.
“Harmonious Cacophony: 2boys.tv’s Tightrope.” Canadian Review of Literature in Performance. 3 (Fall
“Making it Better: Dayna McLeod’s Celluloid Fantasies, Feminist Queer Revisionary.” No More
Potlucks. (Summer 2011). http://nomorepotlucks.org/editorial/motive-no-16
“The Queer Element & The Poison Cookie: Literature in Performance on the Cabaret Stage.” Canadian
Review of Literature in Performance. 1.1 (February 2011). http://www.litlive.ca/story/230
64 West 11th St. Room 109Email:email@example.comPersonal Website:tlcowan.netResearch Interests:
Trans* feminist & queer visual culture, performance, literary & cultural studies; activist studies, new media & creative resistance; feminist & queer theory, especially aesthetics, epistemologies & theories of the transnational/translocal; speculative digital humanities; 20th & 21st-Century cabaret in Canada, Mexico, USA, France & Germany; 20th- & 21st-Century literary & anti-literary cultures; popular culture; genre theory; theories & practices of the avant-garde; performance writing, Performer Created Theatre.Professional Affiliations:
Hemispheric Institute of Performance & Politics in the Americas (Hemispheric Fellow 2012-14 http://hemisphericinstitute.org/hemi/en/fellows/hemi-fellows)Recent Presentations/Exhibits:
Performance Studies International
Canadian Association of Cultural Studies
Sexuality Studies Association
“A Hybrid Present Embodified: ‘Social Disorganization’ as Cabaret Methodology.” Panel Title: Then, Now, Then: Doing Hybrid Temporalities in Contemporary? Feminist and Queer Performance (Mexico City, New York City, Montreal). Co-organized with Dayna McLeod & Jasmine Rault. Performance Studies International/PSi 19. Stanford University, San Francisco CA. June 26-30 2013.Discography:
“The More Things Change: Dialectical Dreams of Im-Perfect Collective Identities in Contemporary Feminist and Queer Political Cabaret.” Work Group Presentation. Encuentro of the Hemispheric Institute of Politics and Performance. São Paulo, Brazil. Jan 12-19 2013.
“From Le Chat Noir to Meow Mix: Considering a Translocal Cabaret Consciousness.” Crossroads in Cultural
Studies. Sorbonne Nouvelle. Paris, July 2-6 2012.
“Speculative Frames, Digital Feelings, Transnational Spaces: Keywords for Late Adopters/Conscientious
Objectors” (with Jasmine Rault). Gender and Technology Conference. University of Virginia. April 27-29 2012.
The Twisted She Project. CD. (2009).
Coastal Tongue: An Anthology of Women in Spoken Word in Vancouver. Eds. Laurie Bricker & T.L. Cowan
• Performance Mix Festival. New York City, NY. Curator: Karen Bernard. April 8-14. Awards and Honors:
• Dirty Plötz Cabaret. Rhubarb Festival. Buddies in Bad Times Theatre, Toronto, ON. Curator: Alex Tigchelaar. Feb. 21 2013.
• Cachín Cachán Cachunga! Queer & Trans Cabaret. Glasgow, Scotland. Curator: Zorras. Feb. 21 2013.
• Open Toe Peepshow Salon Series #2. Brooklyn, NY. Curators: Damien Luxe and Heather Ács. Nov. 4, 2012.
• DYKE CHECK!Queer Takes on the Revolution. Dixon Place, New York City. Dec 7, 2011.
• Edgy Women Festival. Curator: Miriam Ginestier. Mainline Theatre, Montreal QC. March 20, 2010.
2012 – Eugene Lang College Civic Engagement & Social Justice Grant to host Theatre of the Oppressed workshops for Lang students.
2011 - Social Sciences & Humanities Research Council of Canada (SSHRC) Insight Development Grant.
Title: “Feeling Speculative in Digital Space”
2011 - Social Sciences & Humanities Research Council of Canada (SSHRC) Standard Research Grant.
Title: “Sliding Scale: Translocal Feminist and Queer Cabaret Cultures”
2009 – Killam Postdoctoral Fellowship, University of Calgary
2009 - Canada Council for the Arts Individual Artist Project Grant for The Twisted She Project
2009 – Alberta Foundation for the Arts – Multidisciplinary Project Grant for The Twisted She Project
2009 - Governor General’s Gold Medal, University of Alberta. Recognizes the doctoral graduate of all faculties who achieves the highest academic standing.