
The data represent the answers of jazz musicians in New York
and the aggregate answers of jazz musicians in New Orleans, New York
and San Francisco in the study using the Respondent-driven sampling
method. A parallel study of union musicians provides data for Detroit
as well as the three cities listed above.
The work was carried out by the Research Center for Arts and
Culture at Columbia University's Teachers College, under a
cooperative agreement between the National Endowment for the
Arts and the San Francisco Study Center. The data here
represent the answers of Jazz musicians in New York and the
aggregated answers of jazz musicians in the 3 study cities.
They cover questions about instrument and musical style
preference, employment, musical inspiration, health coverage
and professional goals.
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Contents:
Instrument Preference |
Employment |
Musical Inspiration |
Health Coverage |
Personal Goals
The piano and the drums are the instruments of choice for
the aggregate musicians while New York musicians prefer the
piano and voice. Fourteen percent of the aggregate jazz
musicians play piano/keyboard and 13% play the drums; 15% of
the New York area jazz musicians play piano and 14% use
their voices.
3. What is your primary instrument?
 |
Aggregate |
NY |
| 1 alto sax |
percent |
6.1% |
7.2% |
| count |
41 |
19 |
| 2 banjo |
percent |
0.7% |
0.0% |
| count |
5 |
0 |
| 3 baritone sax |
percent |
0.6% |
0.4% |
| count |
4 |
1 |
| 4 bass |
percent |
11.4% |
11.0% |
| count |
77 |
29 |
| 5 bass clarinet |
percent |
0.1% |
0.4% |
| count |
1 |
1 |
| 6 cello |
percent |
0.1% |
0.4% |
| count |
1 |
1 |
| 7 clarinet |
percent |
1.9% |
1.9% |
| count |
13 |
5 |
| 8 cornet |
percent |
0.9% |
0.0% |
| count |
6 |
0 |
| 9 drums |
percent |
12.5% |
11.0% |
| count |
84 |
29 |
| 10 effects ( washboard, whistles, etc.) |
percent |
0.0% |
0.0% |
| count |
0 |
0 |
| 11 fluglehorn |
percent |
0.4% |
0.0% |
| count |
3 |
0 |
| 12 flute |
percent |
1.6% |
2.7% |
| count |
11 |
7 |
| 13 guitar |
percent |
9.1% |
4.9% |
| count |
61 |
13 |
| 14 harmonica |
percent |
0.3% |
0.0% |
| count |
2 |
0 |
| 15 percussion |
percent |
1.3% |
1.5% |
| count |
9 |
4 |
| 16 piano/ keyboard |
percent |
14.4% |
15.2% |
| count |
97 |
40 |
| 17 saxophone |
percent |
11.1% |
12.5% |
| count |
75 |
33 |
| 18 trombone |
percent |
4.5% |
4.9% |
| count |
30 |
13 |
| 19 trumpet |
percent |
6.8% |
6.1% |
| count |
46 |
16 |
| 20 tuba |
percent |
0.3% |
0.4% |
| count |
2 |
1 |
| 21 vibraphone |
percent |
0.1% |
0.4% |
| count |
1 |
1 |
| 22 violin |
percent |
1.2% |
1.1% |
| count |
8 |
3 |
| 23 voice |
percent |
11.3% |
14.4% |
| count |
76 |
38 |
| 24 xylophone |
percent |
0.0% |
0.0% |
| count |
0 |
0 |
| 25 other (please specify) |
percent |
3.1% |
3.8% |
| count |
21 |
10 |
| Missing |
 |
0 |
0 |
 |
 |
 |
 |
| total # of respondents who answered the question |
674 |
264 |
|
Fifty three percent of New York area musicians chose "other"
rather than the selections offered on the survey. For
musicians from the 3 cities combined, 44% of the respondents
chose Bop as the dominant style in which they played their
instruments.
4. In what style do you play this instrument?*
 |
Aggregate |
NY |
| 1 avant-garde |
percent |
30.0% |
25.0% |
| count |
202 |
66 |
| 2 acid jazz |
percent |
15.7% |
2.7% |
| count |
106 |
7 |
| 3 blues |
percent |
35.5% |
9.5% |
| count |
239 |
25 |
| 4 boogie-woogie/honky-tonk |
percent |
9.3% |
2.3% |
| count |
63 |
6 |
| 5 bop |
percent |
44.4% |
22.3% |
| count |
299 |
59 |
| 6 contemporary |
percent |
33.7% |
15.5% |
| count |
227 |
41 |
| 7 cool |
percent |
26.3% |
4.2% |
| count |
177 |
11 |
| 8 free jazz |
percent |
34.6% |
25.0% |
| count |
233 |
66 |
| 9 funk |
percent |
32.9% |
8.0% |
| count |
222 |
21 |
| 10 fusion |
percent |
22.4% |
6.8% |
| count |
151 |
18 |
| 11 hard bop |
percent |
29.4% |
8.7% |
| count |
198 |
23 |
| 12 Latin |
percent |
36.5% |
11.7% |
| count |
246 |
31 |
| 13 mainstream |
percent |
31.0% |
20.5% |
| count |
209 |
54 |
| 14 regional style (please specify) |
percent |
11.1% |
6.8% |
| count |
75 |
18 |
| 15 rhythm and blues |
percent |
27.6% |
6.1% |
| count |
186 |
16 |
| 16 scat |
percent |
8.2% |
2.3% |
| count |
55 |
6 |
| 17 ragtime/stride piano |
percent |
6.5% |
3.0% |
| count |
44 |
8 |
| 18 swing |
percent |
39.5% |
14.8% |
| count |
266 |
39 |
| 19 traditional |
percent |
40.1% |
35.2% |
| count |
270 |
93 |
| 20 world music |
percent |
18.7% |
9.8% |
| count |
126 |
26 |
| 21 other (please specify) |
percent |
30.6% |
52.7% |
| count |
206 |
139 |
| missing |
 |
 |
 |
 |
 |
 |
 |
| total # of respondents who answered the question |
674 |
264 |
|
Fifty-two percent of aggregate musicians and 56% of New York
area musicians earned their major income in the last 12
months as musicians.
12. From which occupation did you earn your major income in the last 12 months?
 |
Aggregate |
NY |
| 1 musician |
percent |
51.5% |
56.4% |
| count |
347 |
149 |
| 2 music teacher |
percent |
11.1% |
8.0% |
| count |
75 |
21 |
| 3 jazz teacher |
percent |
6.5% |
6.8% |
| count |
44 |
18 |
| 4 arts manager or administrator |
percent |
1.0% |
0.8% |
| count |
7 |
2 |
| 5 other music-related occupation |
percent |
7.9% |
8.7% |
| count |
53 |
23 |
| 6 non-music related occupation |
percent |
24.2% |
18.9% |
| count |
163 |
50 |
| 7 other |
percent |
10.7% |
5.3% |
| count |
72 |
14 |
| missing |
 |
 |
 |
 |
 |
 |
 |
| Total # of respondents who answered this question |
674 |
264 |
|
A large percentage of New York area musicians (47%) and
aggregate musicians (36%) make 100% of their income from
their music.
16. What percentage of your income comes from your music?
 |
Aggregate |
NY |
| 1 none |
percent |
8.1% |
2.3% |
| count |
53 |
6 |
| 2 25% or less |
percent |
24.3% |
21.9% |
| count |
159 |
56 |
| 3 between 26% and 50% |
percent |
11.9% |
13.3% |
| count |
78 |
34 |
| 4 between 51% and 75% |
percent |
8.7% |
6.6% |
| count |
57 |
17 |
| 5 between 76% and 99% |
percent |
10.6% |
8.6% |
| count |
69 |
22 |
| 6 100% |
percent |
36.3% |
47.3% |
| count |
237 |
121 |
| missing |
 |
21 |
8 |
 |
 |
 |
 |
| total # of respondents who answered this question |
653 |
256 |
|
In the effort to understand the early musical development of
survey respondents, a number of questions regarding their
early education and training were asked. When asked where
they were first inspired by music, 37% of aggregate
musicians and 47% of New York area musicians said they
received their initial inspiration at home.
22. Where did you first get inspired by music?
 |
Aggregate |
NY |
| 1 church |
percent |
10.6% |
5.4% |
| count |
71 |
14 |
| 2 community center |
percent |
0.3% |
0.0% |
| count |
2 |
0 |
| 3 festival |
percent |
1.6% |
0.8% |
| count |
11 |
2 |
| 4 film |
percent |
0.9% |
0.0% |
| count |
6 |
0 |
| 5 friends |
percent |
9.7% |
3.8% |
| count |
65 |
10 |
| 6 home |
percent |
37.1% |
47.1% |
| count |
248 |
123 |
| 7 internet |
percent |
0.0% |
0.0% |
| count |
0 |
0 |
| 8 live performance |
percent |
6.1% |
6.1% |
| count |
41 |
16 |
| 9 private music teacher |
percent |
2.1% |
1.1% |
| count |
14 |
3 |
| 10 radio |
percent |
7.9% |
7.3% |
| count |
53 |
19 |
| 11 recordings |
percent |
7.5% |
9.2% |
| count |
50 |
24 |
| 12 relatives |
percent |
3.0% |
0.8% |
| count |
20 |
2 |
| 13 school |
percent |
7.3% |
7.7% |
| count |
49 |
20 |
| 14 television |
percent |
0.9% |
1.5% |
| count |
6 |
4 |
| 15 workshop |
percent |
0.1% |
0.4% |
| count |
1 |
1 |
| 16 other |
percent |
4.8% |
8.8% |
| count |
32 |
23 |
| Missing |
 |
5 |
3 |
 |
 |
 |
 |
| total # of respondents who answered the question |
669 |
261 |
|
Sixty-three percent of the aggregate and 59% of the New York
area respondents have some health or medical coverage.
81. Do you have health or medical coverage?
 |
Aggregate |
NY |
| 1 yes |
percent |
63.3% |
58.7% |
| count |
398 |
142 |
| 2 no |
percent |
36.7% |
41.3% |
| count |
231 |
100 |
| Missing |
 |
45 |
22 |
 |
 |
 |
 |
| Total # of respondents who answered this question |
629 |
242 |
|
While reaching a higher level of artistic
expression/achievement was the most important goal for the
next five years for aggregate musicians at 27%, and getting
a record deal was most important for New York area musicians
at 18%, a number of the respondents chose 'Other'. Comments
here included getting out of music, Gold Record, making more
money, world premieres by international orchestras,
obtaining local, national, international recognition, making
a CD, to "Wow, no one ever asked me this before."
114. What are your 3 most important goals for the next 5 years as a musician?
| Choice 1 |
Aggregate |
NY |
| 1 develop artistic competence |
percent |
11.8% |
1.5% |
| count |
67 |
3 |
| 2 get a record deal |
percent |
10.5% |
17.5% |
| count |
60 |
36 |
| 3 lead my own groups |
percent |
9.1% |
9.7% |
| count |
52 |
20 |
| 4 make a living from my music |
percent |
11.2% |
6.8% |
| count |
64 |
14 |
| 5 make money from my music |
percent |
3.5% |
3.4% |
| count |
20 |
7 |
| 6 obtain critical reviews |
percent |
0.5% |
0.0% |
| count |
3 |
0 |
| 7 participate in major concerts |
percent |
4.0% |
5.8% |
| count |
23 |
12 |
| 8 play with well-known groups |
percent |
2.3% |
2.4% |
| count |
13 |
5 |
| 9 reach higher level of artistic expression/achievement |
percent |
26.8% |
12.6% |
| count |
153 |
26 |
| 10 spend more time on music |
percent |
4.0% |
3.4% |
| count |
23 |
7 |
| 11 win recognition/award |
percent |
1.2% |
2.9% |
| count |
7 |
6 |
| 12 other |
percent |
14.9% |
34.0% |
| count |
85 |
70 |
| missing |
 |
104 |
58 |
 |
 |
 |
 |
| total # of respondents who answered this question |
570 |
206 |
|
| Choice 2 |
Aggregate |
NY |
| 1 develop artistic competence |
percent |
6.2% |
2.8% |
| count |
33 |
5 |
| 2 get a record deal |
percent |
7.1% |
12.4% |
| count |
38 |
22 |
| 3 lead my own groups |
percent |
9.2% |
6.2% |
| count |
49 |
11 |
| 4 make a living from my music |
percent |
10.7% |
8.4% |
| count |
57 |
15 |
| 5 make money from my music |
percent |
4.9% |
3.9% |
| count |
26 |
7 |
| 6 obtain critical reviews |
percent |
2.1% |
1.7% |
| count |
11 |
3 |
| 7 participate in major concerts |
percent |
6.9% |
5.6% |
| count |
37 |
10 |
| 8 play with well-known groups |
percent |
7.9% |
5.6% |
| count |
42 |
10 |
| 9 reach higher level of artistic expression/achievement |
percent |
19.1% |
8.4% |
| count |
102 |
15 |
| 10 spend more time on music |
percent |
9.3% |
1.1% |
| count |
50 |
2 |
| 11 win recognition/award |
percent |
2.8% |
4.5% |
| count |
15 |
8 |
| 12 other |
percent |
14.0% |
39.3% |
| count |
75 |
70 |
| missing |
 |
139 |
86 |
 |
 |
 |
 |
| total # of respondents who answered this question |
535 |
178 |
|
| Choice 3 |
Aggregate |
NY |
| 1 develop artistic competence |
percent |
4.3% |
1.4% |
| count |
21 |
2 |
| 2 get a record deal |
percent |
6.8% |
7.6% |
| count |
33 |
11 |
| 3 lead my own groups |
percent |
7.2% |
9.7% |
| count |
35 |
14 |
| 4 make a living from my music |
percent |
8.7% |
7.6% |
| count |
42 |
11 |
| 5 make money from my music |
percent |
6.0% |
5.6% |
| count |
29 |
8 |
| 6 obtain critical reviews |
percent |
0.8% |
0.0% |
| count |
4 |
0 |
| 7 participate in major concerts |
percent |
8.7% |
13.2% |
| count |
42 |
19 |
| 8 play with well-known groups |
percent |
8.9% |
5.6% |
| count |
43 |
8 |
| 9 reach higher level of artistic expression/achievement |
percent |
13.6% |
6.9% |
| count |
66 |
10 |
| 10 spend more time on music |
percent |
13.4% |
6.9% |
| count |
65 |
10 |
| 11 win recognition/award |
percent |
7.9% |
3.5% |
| count |
38 |
5 |
| 12 other |
percent |
13.6% |
31.9% |
| count |
66 |
46 |
| missing |
 |
190 |
120 |
 |
 |
 |
 |
| total # of respondents who answered this question |
484 |
144 |
|
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the Executive Summary
(requires Adobe Acrobat Reader)
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